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The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range [ 3 ] refers to the pitches produced by an instrument, while the written range [ 3 ] refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience.
Music theory analyzes the pitch, timing, and structure of music. It uses mathematics to study elements of music such as tempo, chord progression, form, and meter. The attempt to structure and communicate new ways of composing and hearing music has led to musical applications of set theory, abstract algebra and number theory.
A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th altissimo Very high; see also in altissimo alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano
In music, dynamic range describes the difference between the quietest and loudest volume of an instrument, part or piece of music. [49] In modern recording, this range is often limited through dynamic range compression, which allows for louder volume, but can make the recording sound less exciting or live. [50] The dynamic range of music as ...
For example, the set of real numbers consisting of 0, 1, and all numbers in between is an interval, denoted [0, 1] and called the unit interval; the set of all positive real numbers is an interval, denoted (0, ∞); the set of all real numbers is an interval, denoted (−∞, ∞); and any single real number a is an interval, denoted [a, a].
Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "out of tune" refers to a pitch/tone that is either too high or too low in relation to a given reference pitch. While an ...
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These overlapping terms are variously used when discussing the acoustic behavior of musical instruments. [4] See etymology below.) The model of Fourier analysis provides for the inclusion of inharmonic partials, which are partials whose frequencies are not whole-number ratios of the fundamental (such as 1.1 or 2.14179).