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Decolonising the Mind is split into four essays: "The Language of African Literature," "The Language of African Theatre," "The Language of African Fiction," and "The Quest for Relevance." Several of the book's chapters originated as lectures, and apparently this format gave Ngũgĩ "the chance to pull together in a connected and coherent form ...
Ethiopia Unbound: Studies in Race Emancipation is a 1911 book by J. E. Casely Hayford that is one of the first novels in English by an African writer and has been cited as the earliest pan-African fiction. [1] [2] It was first published by C. M. Philips in London. [3]
As George Joseph notes in his chapter on African Literature [3] in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically ...
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
Bruce King, in a review published in Obsidian: Literature and Arts in the African Diaspora, called it "one of the best books available on African literature". He remarked, "In general the criticism of African literature has been superficial and unanalytical.... Larson's detailed analysis of style, structure and form is an improvement in this ...
Here you can find Le Clézio's thoughts about his African childhood and about life in remote places. [2] " L'Africain ", the story of the author’s father, is at once a reconstruction, a vindication, and the recollection of a boy who lived in the shadow of a stranger he was obliged to love.
Brittle Paper publishes original content submitted by authors, as well as commissioned reviews, interviews, essays, and other literary work. Having grown into "a thriving community of readers and writers interested in everything about African literature", [12] the blog is regarded as a major publicity platform for new books by African writers.
Chinweizu's notable intervention on this theme came in the essay "The Decolonization of African Literature" (later expanded into the 1983 book Toward the Decolonization of African Literature), to which Soyinka responded in an essay entitled "Neo-Tarzanism: The Poetics of Pseudo-Transition". [3]
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