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Woman in Sacred Song : a library of hymns, religious poems, and sacred music, by woman is an illustrated book of 880 quarto pages compiled by Eva Munson Smith with preface by Frances E. Willard, first published in 1885 in Boston by D. Lothrop & Company. [1]
The parallel development of German Romanticism also produced Christian religious poetry by Annette von Droste-Hülshoff and Clemens Brentano, as well as the rediscovery and publication of ancient and Medieval religious poetry by linguists and antiquarians like Baron Joseph von Laßberg, Friedrich Blume, and Johann Martin Lappenberg.
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Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (published 1 September 1773) is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published. [3]
Although it is unclear whether she was a regular member of the Blue Stockings Society, there has survived a description of Harriet as a young lady by Gilbert Elliot-Murray-Kynynmound, 1st Earl of Minto: "She is, I believe, a blue-stocking, but what the colour of that part of her dress is must be mere conjecture, as you will easily believe when I tell you that... she said she never looked at ...
Barbara MacKay, Lady Reay (c. 1615 – c. 1690) was a Scottish poet born in Scourie.Her main collection of poems is a manuscript composed of ten mainly religious poems dedicated to the Countess of Caithness.
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
Directly across the water, these images (and the direct imperative "Listen!") were to be later echoed by Matthew Arnold, an early admirer (with reservations) of "Intimations", in his poem "Dover Beach", but in a more subdued and melancholy vein, lamenting the loss of faith, and in what amounts to free verse rather than the tightly disciplined ...