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This symbolism implies wealth and prosperity are coupled with the maintenance of life, justice, and peace. [44] When Lakshmi and Vishnu appear together in images and statues, she is significantly smaller, which is often used to portray her devotional status as a wife. A frequently depicted scene of the pair illustrates Lakshmi massaging Vishnu ...
A poem of 120 [3] stanzas, it is one of Kālidāsa's most famous works.The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. [4]
Lakshmi: Goddess of wealth, fortune and luck. Kubera: God of wealth; Ganesha: God of wisdom, luck and good beginnings; associated with wealth and fortune. Alakshmi: Goddess of misfortune. Agni: God of fire, wealth and food(in the vedas).
The farmer's foolishness lies particularly in the fact that wealth cannot guarantee the future: the Day of Judgment arrives sooner than he expects. [5] Ellicott's Commentary notes the difference between the fool's approach and the psalmist's: Return unto thy rest, O my soul; for the LORD hath dealt bountifully with thee. [6]
Christian views on poverty and wealth vary. At one end of the spectrum is a view which casts wealth and materialism as an evil to be avoided and even combated. At the other end is a view which casts prosperity and well-being as a blessing from God.
"God of all time, help us enter the New Year quietly, thoughtful of who we are to ourselves and to others, mindful that our steps make an impact and our words carry power. May we walk gently. May ...
The Egyptians called their hieroglyphs "words of god" and reserved their use for exalted purposes, such as communicating with divinities and spirits of the dead through funerary texts. [9] Each hieroglyphic word represented both a specific object and embodied the essence of that object, recognizing it as divinely made and belonging within the ...
The Augustan poet Ovid gives Abundantia a role in the myth of Acheloüs the river god, one of whose horns was ripped from his forehead by Hercules. The horn was taken by the Naiads and transformed into the cornucopia that was granted to Abundantia. [6] Other aetiological myths provide different explanations of the cornucopia's origin.