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Used for formal occasions that require traditional dress, such as a traditional Shinto wedding or a child's Shichi-Go-San ceremony. Originally used for practical uses, such as carrying around a woman's beni ita , omamori (an amulet/talisman), kagami (mirror), tenugui (handkerchief), coins, and the like, it now has a more of a decorative role.
Women's hakama differ from men's in a variety of ways, most notably fabric design and method of tying. While men's hakama can be worn on both formal and informal occasions, women rarely wear hakama, except at graduation ceremonies and for traditional Japanese sports such as kyūdō, some branches of aikido and kendo. [8]
Pages in category "Samurai clothing" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. F. ... Code of Conduct;
Like kunoichi (female ninja) and geisha, the onna-musha's conduct is seen as the ideal of Japanese women in movies, animations and TV series. In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [43] [44] Several other channels reprised the documentary.
Nemuri Kyoshirō, the master of the Engetsu ("Full Moon Cut") sword style, was a wandering "lone wolf" warrior plagued by the fact that he was fathered in less than honorable circumstance by a "fallen" Portuguese priest who had turned to worshipping Satan and a Japanese noblewoman whom the "fallen" priest had seduced and raped as part of a Black Mass and who had committed suicide after ...
Keikogi (稽古着) (keiko, 'practice', gi, 'dress' or 'clothes'), also known as dōgi (道着) or keikoi (稽古衣), [a] is a traditional uniform worn for training in Japanese martial arts and their derivatives. Emerging in the late 19th century, the keikogi was developed by judo founder Kanō Jigorō. [1]
Lady Sazen and the Drenched Swallow Sword [a] (also known as Left Fencer) is a 1969 Japanese samurai drama and action film, directed by Kimiyoshi Yasuda. [2] Michiyo Okusu plays the role of the one-eyed, one-armed swords-woman O-kin.
The movie doesn't so much challenge the practice of seppuku; rather, it highlights an instance when it occurred in a punitive and hypocritical environment. The notions of honor and bravery associated with it can be a false front, as the protagonist puts it, serving more as a means of preserving reputations than of actually atoning for a crime ...