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I know not what I was playing, Or what I was dreaming then; But I struck one chord of music, Like the sound of a great Amen. It flooded the crimson twilight, Like the close of an angel's psalm, And it lay on my fevered spirit With a touch of infinite calm. It quieted pain and sorrow, Like love overcoming strife; It seemed the harmonious echo
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label. Written and composed by Motown's main production team Holland–Dozier–Holland, it became the second consecutive number-one pop single from the Supremes' album The Supremes Sing Holland–Dozier–Holland and the group's ninth overall chart-topper in the United States on Billboard Hot 100 ...
Pinder reflects on the album's themes in a 1976 radio interview: "We carefully considered every word of the lyrics, to make sure it was balanced, that it didn't make statements, as in 'this is the answer'. We're not giving the answers, for it's the asking of the question that brings about the answer, and the answer is always an intelligible thing.
In 1975, Wonder brought the demo recording of the song to Crystal Sound studio in Hollywood, California, where he further developed its lyrics and chords. [2] Unlike the demo recording, Wonder decided to play the song in the key of E-flat, which he felt better suited his voice and overall "felt better, spiritually". [2]
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
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"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo.The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner.
Love Has No Reason was produced by Larry Butler who was responsible for much of Kenny Rogers' music during this era. The album's first single, "Are You On The Road To Lovin' Me Again," rose to No. 1 on the Country singles chart and crossed over to AC radio peaking at No. 31.