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Chhaap Tilak Sab Chheeni, is a Kafi written and composed by Amir Khusro, a 14th-century Sufi mystic, in North Central Indian language Braj Bhasha.Due to the resonance of its melody and mystical lyrics, it is frequently heard in Qawwali concerts across Indian Subcontinent. [1]
Krishna continues his pursuit, but Radha skillfully dodges his advances. Krishna's love takes a creative turn as he beautifies Vrindavan to attract Radha. His valor is further displayed when he confronts Kaliya , a mythical five-headed snake in the River Yamuna, and seemingly vanishes, causing panic among the villagers.
Hare Krishna (Maha Mantra) in the Devanagari (devanāgarī) script. Hare Krishna (Maha Mantra) in the Bengali language. The Hare Krishna mantra, also referred to reverentially as the Mahā-mantra (lit. ' Great Mantra '), is a 16-word Vaishnava mantra mentioned in the Kali-Saṇṭāraṇa Upaniṣad. [1]
Main Naahin Maakhan Khaayo is a popular Indian bhajan, a Hindu devotional song written by 15th-century mystic-poet, Surdas set to Raga Ramkali. [1] [2] It is written in Braj Bhasha, a dialect of Hindi native to Braja, and epitomizes Vātsalya (Parental Love) Rasa describing an episode from the lilas of Krishna.
Jai Shri Krishna expression is widely used expression to greet people during the Hindu festival of Janmashtami, which celebrates the birth of Krishna. [9] [10] In the present day, Jai Shri Krishna is widely used among the Vaishnava community, Gujaratis, and Rajasthanis, based in and out of India. [11] [12] [13] [14]
Krishna's ras leela or love play with Radha and other gopis of Vrindavan appear frequently. As an example, here are the lyrics of a thumrī composed by the medieval poet Lalan, celebrating Krishna's flute – how its tunes are driving Radha mad. Braj or Vrindavan is where Krishna is indulging in this love play; Radha is the "Girl of Braj".
The devotional hymn "Madhurāṣṭakam" of Vallabha was created to lead the devotee in Pustimarga, the Path of Grace, which involves a constant love-filled devotion to Krishna by various acts of homage, such as singing , remembering (smarana), conceptualising and beholding a beatific image of the deity and offering of services (seva ...
Surdas was a 16th-century blind Hindu devotional poet and singer, who was known for his works written in praise of Krishna. [2] His compositions captured his devotion towards Krishna. Most of his poems were written in the Braj language, while some were also written in other dialects of medieval Hindi, like Awadhi. [3]