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You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
But we soon came to our senses, and moved out. Eventually, the only way we could get out of the country was to sneak onto a Pakistan Airlines Red Crescent flight, which is like being on a Red Cross mission. We arrived in the country as rock stars and left in the back of a Red Crescent emergency aid plane – that was a reality check. [2]
The recording is a follow-up to their highly acclaimed 1962 collaboration, Undercurrent.Evans and Hall had also recorded together a number of times in larger ensembles, including on John Lewis's Odds Against Tomorrow soundtrack and Jazz Abstractions, Evans's Interplay and Loose Blues quintet sessions, and The Gary McFarland Orchestra.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
The Bowlly rendition was used twice in Stanley Kubrick's 1980 classic horror film The Shining; once in the Gold Room (ballroom) scene, and also over the closing of the film as the camera closes in the protagonist in a photograph from the early 20th century, carrying over into the credits.
Bowman rated "Acadian Driftwood" as "one of Robertson's finest compositions, equal to anything else the Band ever recorded." [2] According to The New Rolling Stone Album Guide critic Mark Kemp, "Acadian Driftwood" is one of three songs on Northern Lights – Southern Cross, along with "Ophelia" and "It Makes No Difference," on which "Robertson reclaims his reputation as one of rock's great ...
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock band the Band, released in November 1975. It was the first album to be recorded at their new California studio, Shangri-La , and the first album of all new material since 1971's Cahoots .
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