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RogerEbert.com is an American film review website that archives reviews written by film critic Roger Ebert for the Chicago Sun-Times and also shares other critics' reviews and essays. The website, underwritten by the Chicago Sun-Times, was launched in 2002. [1] Ebert handpicked writers from around the world to contribute to the website.
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
It grew to prominence with a review-conversation-banter format between opinionated film critics, notably for a time, Roger Ebert and Gene Siskel. By 1980, it was a weekly series airing on over 180 stations and the highest-rated weekly entertainment series in the history of public broadcasting. [1] The show's final broadcast was on October 4 ...
The film makes use of footage and interviews with American film critic Roger Ebert during the final months of his life interspersed with interviews of his friends, colleagues, and family including: Chaz Ebert (his wife), Martin Scorsese, Werner Herzog, Errol Morris, A.O. Scott, Jonathan Rosenbaum, Ramin Bahrani, Gregory Nava, Richard Corliss, and Ava DuVernay, among others.
The series was praised by renowned film critics including Roger Ebert [10] and Robert Fulford, [5] as well as important figures from the film industry, such as Stanley Kubrick. [ 6 ] In the 2002 Sight & Sound poll to determine the greatest films of all time, Dekalog and A Short Film About Killing received votes from 4 critics and 3 directors ...
Roger Ebert gave the film a negative score of one and a half stars out of four, and referred to it as a "lost cause", but wrote that some of the actors might have a future in other, better films. [30] LaPaglia, Cochrane, Zellweger, Tyler, Embry and Tunney all went on to varying levels of success in the years following Empire Records.
The consensus reads, "Dark and bleak, the 'kick-ass' performances, especially Nolte's 'effective' portrayal of an abused soul, is the reason to see this film." [14] On Metacritic, the film has a score of 79 out of 100 based on 39 reviews, indicating "generally favorable reviews". [15] Critic Roger Ebert of the Chicago Sun-Times gave the film 4 ...
Roger Ebert of the Chicago Sun-Times gave the film 3.5 stars out of 4, and wrote: "The movie's races are thrilling because they must be thrilling; there's no way for the movie to miss on those, but writer-director Gary Ross and his cinematographer, John Schwartzman, get amazingly close to the action." [8]