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This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
During this period, the Selmer range of Treble & Bass 50 & 100 valve amplifiers appeared to be stylistic relics from pre-1959 and the decision was made to move the manufacturing facility to a disused brush and coconut matting works dating from 1914, based in rural Essex. The factory which purchased from Music and Plastic Industries. This was a ...
Ampeg ("amplified peg") [1] [2] is a manufacturer best known for its bass amplifiers.. Originally established in 1946 in Linden, New Jersey by Everett Hull and Stanley Michaels as "Michael-Hull Electronic Labs," today Ampeg is part of the Yamaha Guitar Group.
This model soon became the SM-400. SWR then pursued development of a speaker cabinet to accompany its amps. In 1986, SWR released the Goliath, a 4 x 10" full-range speaker cabinet with a built-in horn tweeter, a first for bass cabinets. The company's name was changed to SWR Sound Corporation on 1 December 1997 as part of a restructuring plan.
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
The first amp in Ampeg’s Portaflex series was the B-15, a 2-channel tube amplifier with per-channel volume controls and shared Baxandall-type tone control, housed within a ’flip-top’ tuned-port cabinet design mounted to a dolly. Shortly after the B-15’s introduction in 1960, it became the most popular bass amp in the world.
It was marketed in 1967 by the Selmer Company, which developed units for flute, saxophone, and clarinet. The system included an integrated pickup microphone and a control box which allowed the player to use effects such as tremolo , basic EQ ("bright" and "dark"), simultaneous sub-octaves and echo in conjunction with a purpose-built amplifier.
The amplifier also aided in creating the instrument's signature tones, by deliberately providing a large amount of distortion. [1] Several models of the Clavioline were produced by different companies. Among the more important were the Standard, Reverb, and Concert models by Selmer in France [3] and Gibson in the United States [4] in the 1950s
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