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The soul by consenting to carnal affections had become carnal; hence the eye of the mind had been blinded: then the physician made for thee ointment. He came in such wise, as that by the flesh He destroyed the corruption of the flesh. And thus the Word was made flesh, that thou mightest be able to say, We saw His glory." [9]
And the Word Was Made Flesh is a 1971 Australian film directed and written by Dusan Marek and starring Jan Cernohous and Jo Van Dalen. The title of the film is a religious quote from John 1:14 . Plot
In Christian theology, the incarnation is the belief that the pre-existent divine person of Jesus Christ, God the Son, the second person of the Trinity, and the Logos (Koine Greek for 'word') was "made flesh," [1] "conceived by the Holy Spirit and born of the Virgin Mary," [2] also known as the Theotokos (Greek for "God-bearer" or "Mother of God").
Eutyches, the Pope says, believes Christ not to have been of our nature, but rather to have been the Word made flesh, i.e. to have taken a body that was created directly for the purpose, not a body truly derived from that of his Mother; in this Eutyches errs, for the Holy Ghost made the Virgin fertile, and from her body a real body was derived.
"Verbum caro factum est" ("The Word became flesh") is a sacred motet for six voices by Hans Leo Hassler. The Latin text is taken from the prologue to the Gospel of John.The voices are divided into two groups of three that sing antiphonally in the Venetian polychoral style.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
The tattoo artist mocks Parker about the possibility of being "saved", and Parker explains that he is getting the tattoo in order to make his wife back off about how he is a sinner. After the tattoo is finished, Parker originally refuses to look at it; however, the tattoo artist ultimately forces him to look at it.