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Victor Horta, the Belgian architect who designed some of the earliest Art Nouveau houses, used stained glass windows, combined with ceramics, wood and iron decoration with similar motifs, to create a harmony between functional elements and decoration, making a unified work of art. One example is the stained glass window of the doorway of the ...
The term stained glass is also applied to windows in enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the ...
Wilson learned stained glass making in an apprenticeship with James Ballantyne, [2] and by studying under Herbert Hendrie. [3] In 1932 he was awarded a Carnegie Travelling Scholarship by the Royal Scottish Academy, which he used to study at Edinburgh College of Art under Adam Bruce Thomson and to travel in France, Germany, Italy and Spain.
"His Master's Voice" window, RCA Victor building, Camden, NJ, 1916 (National Museum of American History) Nicola D'Ascenzo (September 25, 1871, Torricella Peligna, Italy – April 13, 1954, Philadelphia, Pennsylvania) was an Italian-born American stained glass designer, painter and instructor.
Media in category "Stained glass" This category contains only the following file. Francesc Labarta - Stained glass triptych - Google Art Project.jpg 5,374 × 3,831; 6.16 MB
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Stained glass windows of Chartres Cathedral; Christ between the Apostles John and Paul (Christ Preaching) Church of Our Savior (Boynton Beach, Florida) Church of the Good Shepherd (Rosemont, Pennsylvania) Cologne Cathedral Window
The designing of a stained-glass window that "works" from a visual point of view is a more complex matter than simply drawing up a cartoon and painting the colours in. What works on paper does not necessarily work when it has the added element of light streaming through it.
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