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In 2018, a copy of Antrum surfaces, prompting a documentary crew to make a short film on its history and impact. Although the origins of the movie remain unknown, scientists and film experts who examine the 35 mm reel determine that, among other unique properties, the film utilizes disorienting sounds and subliminal imagery. The documentary ...
Flic film: Cine color 50D: 2022- T 50 ECN-2 Print Daylight balanced color negative cinema film, Kodak Vision 3 5203. [56] USA/Canada 135-36 Flic film: Cine color 250D: 2022- T 250 ECN-2 Print Daylight balanced color negative cinema film, Kodak Vision 3 5207. [56] USA/Canada 135-36 Flic film: Cine color 200T: 2022- T 200 ECN-2 Print
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
The use of movie cameras had an upsurge in popularity in the immediate post-war period giving rise to the creation of home movies. Compared to the pre-war models, these cameras were small, light, fairly sophisticated and affordable. An extremely compact 35 mm movie camera Kinamo was designed by Emanuel Goldberg for amateur and semi-professional ...
1935 model Mitchell NC Camera Mitchell Standard 35mm camera - The original Mitchell rackover pin-registered studio camera, introduced in 1920 as a hand-cranked silent film camera. The rackover device allowed the camera portion with its side-mounted viewfinder to be "racked over" upon its base by turning a handle on the rear of the camera base.
Cameras which have been modified from the original standard 16mm (double-perforartion) to accept Super 16 (single-perforation) film may experience vignetting at the widest zoom setting with stock Meteor lenses. The camera has a single pulldown claw and no registration pin. At 24 frame/s, the Krasnogorsk-3 will run for about 25 seconds on a full ...