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Mensural notation is the musical notation system used for polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values.
Evidence on both sides of the argument is compelling; for example 17th-century English writings recommending unequal playing (Roger North's autobiographical Notes of Me, written around 1695, describes the practice explicitly, in reference to English lute music), as well as François Couperin, who wrote in L'art de toucher le clavecin (1716 ...
It is thought that Agostino Veneziano may have created a single replacement set of engravings for the images created by Giulio and Marcantonio in I modi. [1] There is one whole image as well as nine fragments cut from seven engravings that are in the British Museum, and it is thought that all of these images come from this replacement set of engravings by Agostino. [1]
A white-mensural maxima with stem facing down. The maxima rest appears as two adjacent longa rests. A maxima, duplex longa, larga (in British usage: large), or octuple whole note was a musical note used commonly in thirteenth and fourteenth century music and occasionally until the end of the sixteenth century.
Verdi was the composer of the Italian Risorgimento, the movement to unify Italy in the 19th century. Later in the century is also the time of the early career of Giacomo Puccini, perhaps the greatest composer of pure melody in the history of Italian music. Frontispiece from the score of Cavalleria rusticana, a masterpiece of Italian Verismo ...
During the medieval period, Tiro's notation system was taught in European monasteries and expanded to a total of about 13,000 signs. [3] The use of Tironian notes lasted into the 17th century. A few Tironian signs are still used today. [4] [5]
The revival of baroque music in the 1960s and '70s sparked renewed interest in 17th and 18th century dance styles. While some 300 of these dances had been preserved in Beauchamp–Feuillet notation , it wasn't until the mid-20th century that serious scholarship commenced in deciphering the notation and reconstructing the dances.
John Wallis (/ ˈ w ɒ l ɪ s /; [2] Latin: Wallisius; 3 December [O.S. 23 November] 1616 – 8 November [O.S. 28 October] 1703) was an English clergyman and mathematician, who is given partial credit for the development of infinitesimal calculus.