Search results
Results from the WOW.Com Content Network
"Heidegger on Art". Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
(Heidegger 2000, p. H.31) Heidegger recognized the dangers inherent to talking about Being in general and particular beings, and thus devoted space in Being and Time and the Introduction to Metaphysics to an explication of the differences; often noted by translators who distinguish Being (Sein), from a being (das Seiende). His attention to the ...
Metaphysics of presence (German: Metaphysik der Anwesenheit) is a view held by Martin Heidegger in Being and Time that holds the entire history of Western philosophy is based on privileging presence over absence. [1] [2] Another translation of presence and absence is effectivity and possibility.
The "god of the philosophers" in ontotheology, whom Heidegger referred to as the causa sui ('self-caused') or the ens realissimum ('ultimate reality'), is an idol created by human thought and used for man's own purposes. [7] This is different from the ontotheological structure of the principle that Gottfried Wilhelm Leibniz proposed.
A painting that reveals (aletheia) a whole world.Heidegger mentions this particular work of Van Gogh's (Pair of Shoes, 1895) in The Origin of the Work of Art.In the early to mid 20th-century, Martin Heidegger brought renewed attention to the concept of aletheia, by relating it to the notion of disclosure, or the way in which things appear as entities in the world.
The final section of Hegel's Philosophy of Spirit presents the three modes of such absolute knowing: art, religion, and philosophy. [c] For Hegel, as understood by Martin Heidegger, the absolute is "spirit, that which is present to itself in the certainty of unconditional self-knowing". [8]
Martin Heidegger Gestell (or sometimes Ge-stell ) is a German word used by twentieth-century German philosopher Martin Heidegger to describe what lies behind or beneath modern technology . [ 1 ] Heidegger introduced the term in 1954 in The Question Concerning Technology , a text based on the lecture "The Framework" (" Das Gestell ") first ...