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“Do what you love, and you’ll never work a day in your life.” Although the precise attribution of this quote remains elusive, the sentiment makes so much sense it can go unchallenged. No one ...
25. "I believe that working with good people matters because then the work environment is good. If there is a sense of respect and belief among the people you work with, that is when good work is ...
Sabrina Brier – who you know as that in-your-face, never-stops-talking "friend" from TikTok – has a new audiobook out now all about a friend group and how different personalities clash.It's ...
Sara Algoe and Jonathan Haidt [1] include admiration in the category of other-praising emotions, alongside awe, elevation, and gratitude.They propose that admiration is the emotion we feel towards non-moral excellence (i.e., witnessing an act of excellent skill), while elevation is the emotion we feel towards moral excellence (i.e., witnessing someone perform an act of exceeding virtue).
This immediately raises their opinion of us and makes them more willing to help us again both because they enjoy the admiration and have genuinely started to like us. [ 11 ] Psychologist Yu Niiya suggests that the Ben Franklin effect vindicates Takeo Doi 's theory of amae (甘え), as described in The Anatomy of Dependence .
It is also claimed that workism has trickled down from the top, for whom this disposition makes more sense. [5] Workism takes after, but is distinct from productivism and producerism. Producerism focuses on the merit of what is being produced, through any means, while workism focuses on the merit of accomplishing or earning something through work.
The one where work isn’t about friends It’s irrefutable, Hakim says, that “when we have social connections, at whatever level, we feel happier.” That’s a simple truth.
In modern times [15] "sentimental" is a pejorative term that has been casually applied to works of art and literature that exceed the viewer or reader's sense of decorum—the extent of permissible emotion—and standards of taste: "excessiveness" is the criterion; [16] "Meretricious" and "contrived" sham pathos are the hallmark of sentimentality, where the morality that underlies the work is ...