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"How Far I'll Go" was composed as Moana's "I Want" song, following in the long tradition of "I Want" songs in 1990s Disney animated musicals. [3] [4] It replaced an earlier attempt called "More", for which the demo version recorded by Marcy Harriell was released as an outtake on the deluxe version of the soundtrack album.
How Far I'll Go" appears during the film performed by actress Auliʻi Cravalho, and during the end credits performed by Canadian singer-songwriter Alessia Cara. [12] A music video for Cara's version of the song was released on November 3, 2016. [13] It reached number 88 on the Billboard Hot 100 for the week of December 17, 2016. [14]
5 days after the original video was uploaded, another user uploaded a version with his own singing. After that, many users began to upload spin-offs (such as the play version, dance version) of the original video. Some of the lyrics from the original songs were improvised or mondegreen were used instead. Users sometime compile multiple user ...
Director Michael Bennett explained his view regarding the song's inception and placement within the show: [1] I want the audience to walk out of the theatre saying, 'Those kids shouldn't be in a chorus!' And I want people in the audience to go to other shows and think about what's really gone into making that chorus . . . It fades with them ...
Till the day when I'll be going down That long, long trail with you. All night long I hear you calling, Calling sweet and low; Seem to hear your footsteps falling, Ev'ry where I go. Tho' the road between us stretches Many a weary mile, I forget that you're not with me yet When I think I see you smile. Chorus: There's a long, long trail a-winding
"My Heart Will Go On" is a song performed by Canadian singer Celine Dion, used as the theme for the 1997 film Titanic. It was composed by James Horner, with lyrics by Will Jennings, and produced by Horner, Walter Afanasieff and Simon Franglen.
[8] [7] [9] Before each chorus, she gradually increases the melodrama in tone and demands for a song to be played "with a fucking beat". [ 6 ] [ 8 ] [ 7 ] [ 10 ] During the chorus, the sound of a dirt bike revving is used in the background, [ 2 ] before synthesizers are played. [ 6 ]
The early-twentieth-century British composer Gerald Finzi (1901–1956) is recognized largely for several song cycles, setting texts from a wide selection English poets, including Thomas Traherne, William Shakespeare, John Milton, Christina Rossetti, Thomas Hardy, Robert Bridges and Edmund Blunden.