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The German population's psychological acceptance of the atrocities was achieved with Nazi propaganda (print, radio, cinema), a key factor behind the manufactured consent that justified German brutality towards civilians; by continually manipulating the national psychology, the Nazis convinced the German people to believe that Slavs and Jews ...
Josef Mengele (1911-1979), Nazi SS officer and physician at the Auschwitz death camp who performed inhumane experiments on the inmates there. Known as the "Angel of Death". Alfred Ploetz (1860–1940), German physician, biologist, and eugenicist who introduced the concept of racial hygiene in Germany. He was a member of the Nazi party. [12]
Music, he said, should be German, it should be volksverbunden, or linked to the volk, the German nation, and it should express the soul of Germany, die deutsche Seele. Unfortunately how to interpret these Romantic goals was left up to each of the competing authorities, who wondered if one key was more "Nordic" than another, and what was the ...
Peasants were the Nazi cultural heroes, who held charge of German racial stock and German history—as when a memorial of a medieval peasant uprising was the occasion for a speech by Darré praising them as a force and purifier of German history. [10] Agrarianism was asserted as the only way to truly understand the "natural order."
The author of a seminal work of Nazi ideology, The Myth of the Twentieth Century (1930), Rosenberg is considered one of the main authors of key Nazi ideological creeds, including its racial theory and its hatred of the Jewish people, the need for Lebensraum, abrogation of the Treaty of Versailles, and opposition to what was considered ...
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
"Erika" is a German marching song. It is primarily associated with the German Army, especially that of Nazi Germany, although its text has no political content. [1] It was created by Herms Niel and published in 1938, and soon came into usage by the Wehrmacht.
The music for this song came from the Lied der Legion Condor ("Song of the Condor Legion"), whose lyrics and music were written by Wolfram Philipps and Christian Jährig, two Condor Legion pilots with the rank of Oberleutnant. The somber music has a minor character, and the song was "exposed to the accusation of being un-German, Russian or ...