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This list of black animated characters lists fictional characters found on animated television series and in motion pictures.The Black people in this list include African American animated characters and other characters of Sub-Saharan African descent or populations characterized by dark skin color (a definition that also includes certain populations in Oceania, the southern West Asia, and the ...
This is a list of the 122 cartoons of the Popeye the Sailor film series produced by Famous Studios (later known as Paramount Cartoon Studios) for Paramount Pictures from 1942 to 1957, with 14 in black-and-white and 108 in color. [1] These cartoons were produced after Paramount took ownership of Fleischer Studios, which originated the Popeye ...
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
Spy vs. Spy is a wordless comic strip published in Mad magazine. It features two agents involved in stereotypical and comical espionage activities. One is dressed in white, and the other in black, but they are otherwise identical, and are particularly known for their long, beaklike heads and their white pupils and black sclera.
• Second and last of two Milt Gross Count Screwloose cartoons. • Final black-and-white cartoon produced by MGM. April 15, 1939 — The Little Goldfish: Rudolf Ising: 29 • First one-shot cartoon. • First MGM cartoon to be reissued. May 13, 1939: Good Little Monkeys: Art Gallery: Hugh Harman: 26 • Third and last Good Little Monkeys ...
Schlesinger began to phase in the production of color Looney Tunes with the 1942 cartoon The Hep Cat. The final black-and-white Looney Tunes short was Puss n' Booty in 1943, directed by Frank Tashlin. The inspiration for the changeover was Warner's decision to re-release only the color cartoons in the Blue Ribbon Classics series of Merrie Melodies.
The improvements in the technology used for coloring have had a great impact on the way comics are drawn. Before the use of computers, artists would often use the pen or brush to put in detailed shading effects; now the artist is more likely to leave the drawing open and leave it to the colorist to insert shading through variation in color ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...