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The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving ...
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin.
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
Columbine (Italian: Colombina; French: Colombine; [2] lit. ' little dove ' ) is a stock character in the commedia dell'arte . [ 3 ] She is Harlequin 's mistress, [ 3 ] a comic servant playing the tricky slave type, and wife of Pierrot .
Nadar: Charles Deburau as Pierrot, c. 1855. Jean-Charles Deburau (French pronunciation: [ʒɑ̃ ʃaʁl dəbyʁo]; February 15, 1829 – December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film Children of Paradise (1945).
And, notwithstanding Giaratone's usually playing Pierrot as an Italianate Zanni, it is probably no accident that, in several of the plays left behind by his troupe, Pierrot is portrayed as a patois-spouting peasant in the French mold. [26] Pedrolino and Pierrot are clearly differentiated by their respective functions in the plots of their plays.
Pierrot was not Baptiste's only creation. As Robert Storey has pointed out, Deburau performed in many pantomimes unconnected with the commedia dell'arte: . He was probably the student-sailor Blanchot in Jack, l'orang-outang (1836), for example, and the farmhand Cruchon in Le Tonnelier et le somnambule ([The Cooper and the Sleepwalker] late 1838 or early 1839), and the goatherd Mazarillo in Fra ...
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