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John Alton (October 5, 1901 – June 2, 1996), born Johann Jacob Altmann, in Sopron, Kingdom of Hungary, was an American cinematographer of Hungarian-German origin. [1] Alton photographed some of the most famous films noir of the classic period and won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so in the cinematography ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
A Turner Classic Movies expert shares his top picks.
According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950). [ 4 ] [ 5 ] Style
He Walked by Night is a 1948 American police procedural film noir directed by Alfred L. Werker and an uncredited Anthony Mann. [1] The film, shot in a semidocumentary tone, is loosely based on the real-life actions of Erwin "Machine-Gun" Walker, a former Glendale, California police department employee and World War II veteran who unleashed a crime spree of burglaries, robberies and shootouts ...
Nicholas Musuraca, A.S.C. (October 25, 1892 – September 3, 1975) was a motion-picture cinematographer best remembered for his work at RKO Pictures in the 1940s, including many of Val Lewton's series of B-picture horror films.
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