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Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour.The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire.
The 1977 live album Live: P-Funk Earth Tour was recorded at two early 1977 concerts, January 19 at the Los Angeles Forum and January 21 at the Oakland Coliseum. [1] The tour drew to a close in mid-1977; its expenses were as high as its innovation level and it was losing money steadily; [ 5 ] indeed one tour assistant's job was "to tell the ...
The Clones of Dr. Funkenstein is the fifth album by funk band Parliament, released on July 20, 1976. The album is notable for featuring horn arrangements by ex-James Brown band member Fred Wesley. The album charted at No. 3 on the Billboard R&B Albums chart, No. 20 on the Billboard pop chart, and became Parliament's second album to be certified ...
Parliament was an American funk band formed in 1968 by George Clinton as a flagship act of his P-Funk collective. Evolving out of an earlier vocal group , Parliament became associated with a more commercial and less rock -oriented sound than its sister act Funkadelic .
Year Title Peak chart positions Certifications (sales thresholds)US [1]US R&B [1]1970 Osmium. Released: July 7, 1970; Label: Invictus, Def Jam Recordings; Formats: LP Vinyl, compact disc
In conjunction with the release of The Mothership Connection — Live from Houston, a videotape of the live performance was released. The video also included music videos for several studio tracks. The live performance was released in its entirety in 1998 by Pioneer Artists.
Play Me or Trade Me is the third and final studio album by the P-Funk spin off act Parlet.The album was released by Casablanca Records in May of 1980 and was produced by George Clinton and Ron Dunbar.
The Globe and Mail praised the "superb" backing vocals of the Brides of Funkenstein. [8] The New York Times wrote that "the music is typical P-Funk bouncing disco, lively and toe-tapping, with gabbling spoken and sung vocals on top." [9]