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Several mestizo-bands in Ecuador made use of indigenous musical elements in rock music since the 1990s. Rocola Bacalao integrated Andean rhythms and made in their song-texts references to emblematic rural towns, such as Pujilí in Cotopaxi. Sal y Mileto and Casería de Lagartos coined the genre of new Ecuadorian Rock. Nevertheless, in the 1980s ...
Meanwhile, the title "musica nacional" or national music was reserved for the elite class' preferences and definition of Ecuadorian music, as was the case for Pasillos. [ 1 ] Nonetheless, sanjuanitos are like other mestizo genres and the result of many musical, social, and cultural elements fusing and influencing one another throughout history.
Pasillo (English: little step, hallway or aisle) is an Ecuadorean and Colombian genre of music popular in the territories that composed the 19th century Viceroyalty of New Granada: Born in the Andes during the independence wars, it spread to other areas; especially Ecuador (where it is considered the national musical style) and, to a lesser extent, the mountainous regions of Venezuela and Panama.
It consists of pieces of cane, placed side by side in order by size and closed at one end, and is played by blowing across the top of the instrument. The rondador is considered the national instrument of Ecuador. [1] Further knowledge on the instrument is required, as the musical scale of which note each tube played projects is unknown.
Street band from Peru performing El Cóndor Pasa in Tokyo. Andean music is a group of styles of music from the Andes region in South America.. Original chants and melodies come from the general area inhabited by Quechuas (originally from Peru, Bolivia, Ecuador, Chile), Aymaras (originally from Bolivia), and other peoples who lived roughly in the area of the Inca Empire prior to European contact.
In the Andean region of Ecuador, the bandolin is used during the celebration of the feasts of San Juan and San Pedro, along with several other instruments including: twin flutes, guitars, violins, quenas, a drum, a charango, a rondador, and a harmonica. The music and dance that characterize the festival is called a sanjuanito.
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization.