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The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
"Take My Hand, Precious Lord" Marion Williams: 7:31: 2. "It's A Highway To Heaven" Alex Bradford: 3:09: 3. "Let Us Go Back To God" Sallie Martin: 2:37: 4. "Hide Me In Thy Bosom" The Dixie Hummingbirds: 1:56: 5. "I'm Going To Live The Life I Sing About In My Song" Marion Williams: 5:21: 6. "Peace in the Valley" Robert H. Harris: 3:30: 7. "What ...
Take My Hand, Precious Lord; Take Up Thy Cross, The Saviour Said; There is Power in the Blood; There Shall Be Showers of Blessing; There's a Song in the Air; This Is My Father's World; This is my song (1934 song) This Little Light of Mine 'Tis So Sweet to Trust in Jesus
"Precious Lord, Take My Hand" - Ronnie Milsap "Family Bible" - Ricky Skaggs "Just a Closer Walk With Thee" - Sara Evans "The Old Rugged Cross" - Brad Paisley "The Wayfaring Stranger" - Trace Adkins "Where No One Stands Alone" - Loretta Lynn "Give Me Jesus" - Vince Gill "A House of Gold" - Dierks Bentley "How Great Thou Art" - Carrie Underwood
The song was translated into several languages. An early translation into English was made by Herman H. Brueckner as "Take Thou my hand, o Father". [12] Elmer Leon Jorgenson translated it to "Take Thou My Hand, and Lead Me", published in Great Songs of the Church in 1921. [13]
One of the hymn melodies in this book, entitled Maitland, was used as the setting for Must Jesus Bear the Cross Alone, whose words were originally written by Thomas Shepherd in 1693. Many years later Thomas A. Dorsey would use the melody as the setting to his own hymn, Precious Lord, Take My Hand , which became popular through its association ...
Robert Christgau thought that "the Memphis groove of Al's first two Myrrh albums had somehow turned into rote tent-gospel timekeeping." [5] The New York Times wrote that "Green works audacious transformations on some of the most beloved gospel standards, turning them into bright, upbeat pop."
Praise the Lord and worship Him, a song prepare: F.J. Crosby: 231: Hark, hark, my soul! angelic songs are swelling: F.W. Faber: Arranged by Sankey and Charles Crozat Converse [6] 233: God is Love! His Word proclaims it: Julia Sterling* 234: Let us sing again the praise of the Saviour: Lyman G. Cuyler* 236: Come, and let us Worship: Come, oh ...