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The Glagolitic Mass (Czech: Glagolská mše, Church Slavonic: Mša glagolskaja; also called Missa Glagolitica or Slavonic Mass) is a composition for soloists (soprano, contralto, tenor, bass), double chorus, organ and orchestra by Leoš Janáček.
[4] [5] [6] It survived there and as far south as Dalmatia without interruption into the 20th century for Church Slavonic in addition to its use as a secular script in parts of its range, which at times extended into Bosnia , Slavonia , and Carniola , in addition to 14th-15th century exclaves in Prague and Kraków , and a 16th-century exclave ...
IX 10), dating to the 18th century but some specifically 1722–1726. They include (1) a 19.5 x 7.5 cm fragment (2) a 20 x 29.5 cm fragment 1722–1726 (3) a 20.3 x 28.5 cm bifolium from the same period (4) a 20.3 x 15 cm folio (5 and 6) very small fragments from the same period (7) a 14 x 20.5 cm fragment (8) 2 strips of a folio 21 x 14 cm.
4 bindings: 1st for marriages 15 September 1651 to 18 September 1656 and 26 February 1657 to 3 February 1664; 2nd marriages 5 November 1775 to 29 November 1782; 3rd for marriages 20 November 1792 to 16 September 1819; 4th for marriages 1803 to 1838. 3rd binding Glagolitic but Latinic for 1808–1818, 4th binding all Latinic.
Metal eyelets and an eyelet setting tool Seaman's chest with grommets fashioned for use as handles. Grommets are typically used to reinforce holes in leather, cloth, shoes, canvas and other fabrics. [2] They can be made of metal, rubber, or plastic, and are easily used in common projects, requiring only the grommet itself and a means of setting it.
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Lugh or Lug (Old Irish:; modern Irish: Lú) is a figure in Irish mythology. A member of the Tuatha Dé Danann, a group of supernatural beings, Lugh is portrayed as a warrior, a king, a master craftsman and a saviour. [1] He is associated with skill and mastery in multiple disciplines, including the arts. [2]
As for shoelaces in the sense that we know them in modern times, the Museum of London has documented examples of medieval footwear dating from as far back as the 12th century, which clearly show the lacing passing through a series of hooks or eyelets down the front or side of the shoe and being tied in a knot rather than hanging loose. [15]