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Imajinari Pictures, stylized as IMAJINARI, is a movie production company founded by comedian and director, Ernest Prakasa, together with his manager Dipa Andika as part of Hahaha Corp, a comedy talent management.
An entire class of operations [clarification needed] on binary images operates on a 3×3 window of the image. This contains nine pixels, so 2 9 or 512 possible values. . Considering only the central pixel, it is possible to define whether it remains set or unset, based on the surroundi
The Asian arowana (Scleropages formosus) comprises several phenotypic varieties of freshwater fish distributed geographically across Southeast Asia. [3] While most consider the different varieties to belong to a single species, [4] [5] [6] [3] [7] work by Pouyaud et al. (2003) [8] differentiates these varieties into multiple species.
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
The whitetip reef shark (Triaenodon obesus) is a species of requiem shark, in the family Carcharhinidae, and the only member of its genus.A small shark that does not usually exceed 1.6 m (5.2 ft) in length, this species is easily recognizable by its slender body and short but broad head, as well as tubular skin flaps beside the nostrils, oval eyes with vertical pupils, and white-tipped dorsal ...
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A bubu is a large box- or conical-shaped trap used to catch large fish like red snapper and grouper. [4] The traps are set up in the area of coral reefs, and weighted down with heavy stones so that the trap can sink to the sea bed.
Ikan Doejoeng was directed by Lie Tek Swie and produced by Touw Ting Iem (or James), an English-trained sound technician. [2] It was the first production of Standard Film, which Lie had established together with the Tan brothers (Khoen Yauw and Khoen Hian) earlier that year; in the early 1930s he had directed several films for them, most recently Melati van Agam (Jasmine of Agam) in 1932.