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Soumak flat-weave rug from Quba Rayon or Daghestan, mid-19th century. Caucasian carpets and rugs are primarily made in villages, rather than in cities. [1] They are made from materials particular to individual tribal provinces, the rugs of the Caucasus normally display bold geometric designs in primary colors.
Toward the end of the 19th century, Navajo weavers began to make rugs for non-Native tourists and for export. Earlier Navajo textiles have strong geometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit ...
A standby in Persian rugs, the Tree of Life symbol was adapted by the rug-makers of Scandinavia to represent family trees and ties. [citation needed] By the 1880s, traditional Scandinavian rugs – and, most especially, Ryas – were hugely popular throughout northern Europe. In addition, Sweden had begun to produce a very distinctive style of ...
Anatolian double-niche rug, Konya region, circa 1750–1800. LACMA M.2004.32 Bergama rug, west Anatolia, first half of 18th century.. Anatolian rug or Turkish carpet (Turkish: Türk Halısı) [1] is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions.
Detail of the Mantes Carpet, Safavid, Louvre Hunting Carpet made by Ghiyâth-ud-Din Jâmi, wool, cotton and silk, 1542–1543, Museo Poldi Pezzoli, Milan 16th century, the "Schwarzenberg Carpet" Persian Safavid period Animal carpet 16th century, Museum für Kunst und Gewerbe Hamburg Detail of the above carpet Safavid Kerman ‘vase’ carpet fragment, southeast Persia, early 17th century
Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
The carpets are treated with exceptional care in the rendering of colors, patterns, and details of form and design: The painted texture of a carpet depicted in Petrus Christus's Virgin and Child, the drawing of the individual patterns and motifs, and the way the pile opens where the carpet is folded over the steps, all suggest that the depicted ...
[33] Common themes and patterns found on Armenian carpets were the depiction of dragons and eagles. They were diverse in style, rich in color and ornamental motifs, and were even separated in categories depending on what sort of animals were depicted on them, such as artsvagorgs (eagle-carpets), vishapagorgs (dragon-carpets) and otsagorgs ...
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