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Citizen Kane was a Canadian hip hop duo, active in the late 1990s and early 2000s. [1] They were most noted as two-time Juno Award nominees for Rap Recording of the Year , for their EP The Epic at the Juno Awards of 1999 [ 2 ] and their album Deliverance at the Juno Awards of 2000 .
There she began her career as a radio singer, and met her first husband Erik Rolf. [citation needed] Warrick's first big break was being hired by a young Orson Welles for Citizen Kane (1941), in which she played Emily Monroe Norton, niece of the President of the United States and Kane's first wife. Welles pulled her photograph from the hundreds ...
The Epic is an EP by Canadian hip hop duo Citizen Kane, released in 1997, by independent label Treehouse Records. [1] It was nominated for Best Rap Recording at the 1999 Juno Awards . [ 2 ]
The Kane Gang are an English pop trio formed in Seaham in 1982. [3] The group comprised Martin Brammer, Paul Woods and Dave Brewis. [4] They scored several UK and US hits in the 1980s. [5] Named alluding to the movie Citizen Kane, the trio recorded for the record label Kitchenware, which was also home to Prefab Sprout. The group announced a ...
Agnes Robertson Moorehead was born on December 6, 1900, [2] in Clinton, Massachusetts, the daughter of former singer Mary (née McCauley), who was 17 when she was born, and Presbyterian clergyman John Henderson Moorehead.
Citizen Kane: Original 1941 Motion Picture Score: CD Preamble (PRCD 1788) Performed by the Australian Philharmonic Orchestra conducted by Tony Bremner, with Rosamund Illing, soprano [105] [106] 1993 December 1–2, 1992 Bernard Herrmann Film Scores: From Citizen Kane to Taxi Driver: CD Milan Entertainment (Milan 7313835643–2)
Citizen Kane is a 1941 American drama film directed by, produced by and starring Orson Welles and co-written by Welles and Herman J. Mankiewicz. It was Welles's first feature film. [5] Citizen Kane is frequently cited as the greatest film ever made. [6]
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.