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The girl wears a low neckline that was customary for young girls and boys. (1724) 4. Portrait of the young archduchess and future Empress Maria Theresa. The neckline is still lower than a woman's but is more ornamented than that of a child. (1727) 5. The girl sitting holding a fan is displaying her leading strings that her mother would have ...
Boston, 1755–1760, boy and (probably) girl. Breeching was the occasion when a small boy was first dressed in breeches or trousers. From the mid-16th century [1] until the late 19th or early 20th century, young boys in the Western world were unbreeched and wore gowns or dresses until an age that varied between two and eight. [2]
Portrait of Ferdinand VI as a Boy; Portrait of Frederick Muhlenberg; Portrait of George II; Portrait of Horatio Gates; Portrait of James Stanhope; Portrait of Maria Luisa of Parma; Portrait of Mathilde de Canisy, Marquise d'Antin; Portrait of Mrs. Theodore Atkinson Jr. Portrait of Muhammad Dervish Khan; Portrait of the Marquise de la Solana ...
In the late 18th century, new philosophies of child-rearing led to clothes that were thought especially suitable for children. Toddlers wore washable dresses called frocks of linen or cotton. [24] British and American boys after perhaps three began to wear rather short pantaloons and short jackets, and for very young boys the skeleton suit was ...
Most of the 18th-century portraits occupy a placid middle ground between the styles of the two dominant male artists of the time, Thomas Gainsborough and Joshua Reynolds, typified by Katherine ...
Fancy pictures are a sub-genre of genre paintings in 18th-century English art, featuring scenes of everyday life but with an imaginative or storytelling element, usually sentimental. The usage of the term varied, and there was often an overlap with the conversation piece, a type of group portrait showing the subjects engaged in some activity.
Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]
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