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In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
These ideas were founded in the social ideas of anthroposophy and the work of Rudolf Steiner, of which he was a vigorous and original proponent. This translated into Beuys' formulation of the concept of social sculpture, in which society as a whole was to be regarded as one great work of art (the Wagnerian Gesamtkunstwerk) to which each person ...
We know that when people connect with art, they’re not just enjoying a moment of creativity but discovering new aspects of themselves and their world. The power of art can transform individuals ...
How Art Made the World is a 2005 five-part BBC One documentary series, with each episode looking at the influence of art on the current day situation of our society. [ 1 ] [ 2 ] "The essential premise of the show," according to Nigel Spivey , "is that of all the defining characteristics of humanity as a species, none is more basic than the ...
An object can mediate messages between time or space or both between people who are not together. A work of art, for example, can transfer a message from the creator to the viewer and share an image, a feeling, or an experience. [10] Material can contain memories and mutual experiences across time and influence thoughts and feelings.
The Creation of Adam, from Michelangelo’s Sistine Chapel ceiling – an example of high culture. In a society, high culture encompasses cultural objects of aesthetic value which a society collectively esteems as being exemplary works of art, [1] as well as the intellectual works of literature and music, history and philosophy which a society considers representative of their culture.
Addressing the issue of what makes, for example, Marcel Duchamp's "readymades" art, or why a pile of Brillo cartons in a supermarket is not art, whereas Andy Warhol's famous Brillo Boxes (a pile of Brillo carton replicas) is, the art critic and philosopher Arthur Danto wrote in his 1964 essay "The Artworld":