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Chief Inspector Morse, aided by Detective Sergeant (DS) Lewis, soon discovers a cryptic 'seventeenth-century' love poem by John Wilmot and a photograph of Rachel with a mysterious grey-haired man, clues which lead them to the prestigious Lonsdale College, where the rivalry between Julian Storrs and Dr Denis Cornford for the position of Master ...
Facsimile, translated, and free digital copies of the Old Yellow Book (the source documents for the poem) are also available, and they reveal the extent of conjecture and invention Browning used when writing the poem. After Browning's death, a cache of documents relating to the case almost twice the size of the Yellow Book was found in an ...
Roman pool (with associated modern superstructure) at Bath, England.The pool and Roman ruins may be the subject of the poem. "The Ruin of the Empire", or simply "The Ruin", is an elegy in Old English, written by an unknown author probably in the 8th or 9th century, and published in the 10th century in the Exeter Book, a large collection of poems and riddles. [1]
The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
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In addition to its inclusion among the many translations of Catullus' collected poems, Catullus 101 is featured in Nox (2010), a book by Canadian poet and classicist Anne Carson that comes in an accordion format within a box. Nox concerns the death of Carson's own brother, to which the poem of Catullus offers a parallel. Carson provides the ...
The Annales was an epic poem in fifteen books, later expanded to eighteen, covering Roman history from the fall of Troy in 1184 BC down to the censorship of Cato the Elder in 184 BC. It was the first Latin poem to adopt the dactylic hexameter metre used in Greek epic and didactic poetry, [ 9 ] leading it to become the standard metre for these ...
The constant touchstone of the remainder of the poem is the deviance of contemporary Roman women from an amorphous ideal located in the unspecified past. Though it is frequently decried as a misogynistic rant, feminist scholar Jamie Corson has pointed out: Satire VI is not merely a diatribe against women, but an all-out invective against ...