Search results
Results from the WOW.Com Content Network
The "NEA Four", Karen Finley, Tim Miller, John Fleck, and Holly Hughes, were performance artists whose proposed grants from the United States government's National Endowment for the Arts (NEA) were vetoed by John Frohnmayer in June 1990.
Tim Miller (born September 22, 1958, in Pasadena, California) is an American performance artist and writer, whose pieces frequently involve gay identity, marriage equality and immigration issues. He was one of the NEA Four, four performance artists whose National Endowment for the Arts grants were vetoed in 1990 by NEA chair John Frohnmayer. [1]
In 1996, Congress cut the NEA funding to $99.5 million as a result of pressure from conservative groups, including the American Family Association, who criticized the agency for using tax dollars to fund highly controversial artists such as Barbara DeGenevieve, Andres Serrano, Robert Mapplethorpe, and the performance artists known as the "NEA ...
As of 2012, the NEA had awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. [1] Since its establishment, the NEA has funded thousands of individual artists and arts organizations. In 1989, two controversial works were partially or fully funded by NEA grants.
Holly Hughes (born March 10, 1955) is an American lesbian performance artist. [1] [2]She began as a feminist painter in New York City but is best known for her connection with the NEA Four, with whom she was denied funding from the National Endowment for the Arts, and for her work with the Women's One World Cafe.
Karen Finley (born 1956) is an American performance artist, musician, poet, and educator. [1] The case, National Endowment for the Arts v.Finley (1998), argued in front of the U.S. Supreme Court, was decided against Finley and the other artists. [2]
A list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, video art, and digital art.
In 1993 the NEA settled with the four artists out of court and gave them the grants they had been denied. Still, they decided to litigate against the NEA's congressionally approved "decency clause," but on June 25, 1998, The Supreme Court upheld the decency clause while declaring the language "advisory" and meaningless. [14]