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"Boots" imagines the repetitive thoughts of a British Army infantryman marching in South Africa during the Second Boer War. It has been suggested for the first four words of each line to be read slowly, at a rate of two words per second, to match with the cadence, or rhythm of a foot soldier marching.
Martín & Meditations on the South Valley is a semiautobiographical poetry collection or "novel in verse" [1] written by Jimmy Santiago Baca and published in 1987. [2] Contents of the book include an introduction by Denise Levertov, (poetry editor at Mother Jones to whom Baca sent his early poems while in prison [3]), Martín, an epic poem in nine parts, Meditations on the South Valley, a ...
The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
Born: 1950 [1] Duluth: Language: English, Ojibwemowin Nationality: Bois Forte Band of the Minnesota Chippewa Tribe, [1] American: Genre: Fiction, Poetry, Essays: Notable works: Onigamiising: Seasons of an Ojibwe Year, The Sky Watched: Poems of Ojibwe Lives, The Road Back to Sweetgrass, The Dance Boots, In the Night of Memory, Gichigami Hearts: Stories & Histories From Misaabekong
Matsukaze (松風, Wind in the Pines) is a play of the third category, the woman's mode, by Kan'ami, revised by Zeami Motokiyo. One of the most highly regarded of Noh plays, it is mentioned more than any other in Zeami's own writings, [ 1 ] and is depicted numerous times in the visual arts.
The poem was written in 1880 by Roberts before she had met Elgar, though they were married in the year after the song was written. Roberts offered the poem to Edward when they were engaged, and such was the quality of the work that he put into it—the independent brilliant piano part, the voice in turn subtle and heroic—that it won the first prize of £5 in a competition organised by the ...
The Hounds of Spring is a concert overture for concert band, written by the American composer Alfred Reed in 1980. [1]Reed was inspired by the poem Atalanta in Calydon [2] (1865) by Victorian era English poet Algernon Charles Swinburne, a recreation in modern English verse of an ancient Greek tragedy.