Search results
Results from the WOW.Com Content Network
When asked why the band chose Bullet for the first video, Corgan responded "the record company did a survey of K-Mart shoppers between 30 and 40 and this is the song they came up with". "This is the blue light special", said Chamberlin, [25] [26] [27] though it is likely in the context of the interview that these statements were sarcastic.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
In Los Angeles, 1966, Lubahn was a founding member of the band Clear Light. [1] Clear Light was the only album the band created before they split up. [3] Their top song, "Mr. Blue", has been referred to as "long and a bit overbaked, but it does have an odd appeal". [4]
The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. [4] After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez ...
The band walked off the stage, retired to the Albert Hotel, and woke up in the morning to find that they had become underground heroes. [6] A notable track from the Clear Light album was "Mr. Blue," a psychedelic version of a folk song written by Tom Paxton and a popular request on underground
The new line-up (still known as the Special AKA) finally issued a new full-length album In the Studio in 1984. Officially, the band was now a sextet: Dakar, Campbell, Bradbury, Dammers, Shipley and new bassist Gary McManus. Dammers then dissolved the band and pursued political activism. [7] The first reunion under the Specials name occurred in ...
The House of Blue Light is the twelfth studio album by English rock band Deep Purple, released on 12 January 1987 by Polydor Records.It was the second recording by the reformed Mark II line-up, and the sixth studio album overall by this formation of the band.
"Wynn's sound was what influenced Buck and me both," Haggard has said, "and in a strange twist of fate, his band was the heart of the old Frizzell band – Roy Nichols was part of the Lefty band, and he went to Wynn Stewart and ran into Ralph Mooney, who played the steel, and they were the basis of the modern West Coast sound." [citation needed]