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A pourquoi story [a] (French pronunciation: ⓘ; "pourquoi" meaning "why" in French) is a fictional narrative that explains why something is the way it is, for example why snakes have no legs or why tigers have striped coats.
A cue is some organization of the data present in the signal which allows for meaningful extrapolation. For example, sensory cues include visual cues, auditory cues, haptic cues, olfactory cues and environmental cues. Sensory cues are a fundamental part of theories of perception, especially theories of appearance (how things look).
In a tale collected in 1966, in Los Angeles, with the title El pájaro que habla, three kings take shelter during a storm in the house where three princesses live. The princesses see the kings and profess their wishes: the first will sew clothes for the king that can fit in a nutshell; the second a cape that can fit in a pine nut; and the third ...
The center of the medallion has only decorative carving, which is a visual cue on how the medallion is meant to be interpreted; which is in a circular pattern. Other than that subtle visual cue the artist leaves very little indication of the order. Illustrates how the medallion is meant to be read. The medallion can be separated into 3 episodes:
A founding myth or etiological myth (Greek aition) explains either: the origins of a ritual or the founding of a city; the ethnogenesis of a group presented as a genealogy [9] with a founding father, and thus the origin of a nation (natio 'birth') the spiritual origins of a belief, philosophy, discipline, or idea – presented as a narrative
Hyman also reviewed the auto-Ganzfeld experiments and discovered a pattern in the data that implied a visual cue may have taken place: The most suspicious pattern was the fact that the hit rate for a given target increased with the frequency of occurrence of that target in the experiment.
On the other hand, the women in the tales who do speak up are framed as wicked. Cinderella's stepsisters' language is decidedly more declarative than hers, and the woman at the center of the tale "The Lazy Spinner" is a slothful character who, to the Grimms' apparent chagrin, is "always ready with her tongue."
Another etiological tale, from a Slavic source, is The Seven Stars: a princess is kidnapped by a dragon, so the high chamberlain seeks a "Dragon-mother" and her sons, who each possess extraordinary abilities, to rescue her. At the end of the tale, the rescuers and the chamberlain enter a dispute on who should have the princess, but the "Dragon ...