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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
A vegetation deity is a nature deity whose disappearance and reappearance, or life, death and rebirth, embodies the growth cycle of plants. In nature worship, the deity can be a god or goddess with the ability to regenerate itself. A vegetation deity is often a fertility deity.
Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm. Plants also appear as attributes of saints, especially virgins and martyrs.
The lotus flower holds high spiritual significance across Hinduism, Buddhism and different Asian cultures alike. In China, for example, the lotus symbolizes associated with purity, grace and beauty.
See this list of flower meanings with pictures to learn the symbolism and history behind some of your favorite blooms, including roses, irises and lilies.
According to the Tanakh, ancient Jews made use of flowers as a natural form of decoration. In Jerusalem, during Shavuot, [3] the first crop of fruits presented at the altar was adorned with the finest blossoms. [4] The high regard for flowers in ancient Jewish culture is further evidenced by the presence of floral motifs its artistic creations.
Ovid (Publius Ovidius Naso, 43 BC – 17 AD) was also familiar with narcissi, in his recounting of the self-loving youth who is turned into the flower, in the third book of his Metamorphoses l. 509 "croceum pro corpore florem inveniunt, foliis medium cingemtibus albis" [57] (They came upon a flower, instead of his body, with white petals ...
The boy Buddha appearing within a lotus. Crimson and gilded wood, Trần-Hồ dynasty, Vietnam, 14th–15th century. In the Aṅguttara Nikāya, the Buddha compares himself to a lotus (padma in Sanskrit, in Pali, paduma), [3] saying that the lotus flower rises from the muddy water unstained, as he rises from this world, free from the defilements taught in the specific sutta.