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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
In lost-wax or investment casting, the artist starts with a full-sized model of the sculpture, most often a non-drying oil-based clay such as Plasticine model for smaller sculptures or for sculptures to be developed over an extended period (water-based clays must be protected from drying), and water-based clay for larger sculptures or for ...
The two bronze sculptures are simply known as “Statue A”, referring to the one portraying a younger warrior, and “Statue B”, indicating the more mature-looking of the two. Both sculptures were made using the lost-wax casting technique. [2]
The lost wax technique. The Victorious Youth, also known as the Atleta di Fano, the Lisippo di Fano or the Getty Bronze, is a Greek bronze sculpture, made between 300 and 100 BCE, [1] in the collections of the J. Paul Getty Museum, displayed at the Getty Villa in Pacific Palisades, California.
When molten bronze is used, it is more typical to use a lost wax or similar process so that the finished piece is hollow rather than solid. The cast sculpture may then require some finishing work to remove mold lines and other imperfections.
Bronze Jin, cast using traditional piece-mould techniques, is further embellished by adding prefabricated ornate open worked handles, which are produced through a lost wax process and then attached. Lost wax was eventually introduced to China from the ancient Near East as far west as possible, and the process has an early and long history in ...
These sculptures were cast from earthen molds in molten bronze in the technique of lost wax casting, but since the mold was rendered useless after only one casting, two identical works have yet to be found amongst these sculptures. Approximately 4,000 sculptures in this style have been excavated, depicting Iberian warriors, riders, religious ...
Beginning in 2012, Lewis and a team of experts "pulled" a wax from the latex mold and, using the lost wax process, cast the Horse and Rider sculpture in bronze. [36] [11] [37] Bronze castings were sold with a certificate of authenticity stating each to be one of 996 castings, which were available in three different applied patinas and in silver.