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[60] Eyes of Laura Mars: Irvin Kershner: 1978 United States [60] Farewell, My Lovely: Dick Richards: 1975 United States [8] Fat City: John Huston: 1972 United States [60] Fingers: James Toback: 1978 United States [60] The First Great Train Robbery: Michael Crichton: 1978 United Kingdom [8] F.I.S.T: Norman Jewison 1978 United States [8] Foxy ...
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
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The following is a list of artists and bands associated with the new wave music genre during the late 1970s and early-to-mid 1980s. The list does not include acts associated with the resurgences and revivals of the genre that have occurred from the 1990s onward.
The following is a list of notable garage rock bands. It is not exclusive to collective bands, but also includes solo acts who have created music in this style (usually backed by accompanying musicians). The list features artists from the US and Canada, but also includes similar acts from other countries. [1] [2] [3]
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
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