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The Nikkatsu Company conceived Take Aim at the Police Van as a borderless action film, a studio subgenre with internationalized characters and setting. Contract director Seijun Suzuki had previously worked mainly on pop song films, a youth subgenre in which the films were built around an already popular song, and yakuza films with an occasional film noir bent. [2]
The opening sequence consists of a mash of images from metropolitan Tokyo, meant to condense the feeling of the city into one sequence. [11] The film opens in stylized black and white, which becomes vibrant color in all subsequent scenes. [9] This served to represent Tokyo post-1964 Summer Olympics. [11]
The Take: (1974, 2004 & 2007) Take 2 (2017) Take Aim (1974) Take Aim at the Police Van (1960) Take All of Me (1976) Take Away (2003) Take Back (2021) Take Care (2014) Take Care of Amelia (1925) Take Care of Amelie (1932) Take Care Good Night (2018) Take Care of Maya (2023) Take Care of My Cat (2001) Take Care of My Little Girl (1951) Take Care ...
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Take Aim at the Police Van: 13号待避線より その護送車を狙え Jūsangō taihisen yori: Sono gosōsha o nerae: Sleep of the Beast: けものの眠り Kemono no nemuri: 0-Line Stowaway: 密航0ライン Mikkō zero rain: Everything Goes Wrong: すべてが狂ってる Subete ga kurutteru: Go to Hell, Hoodlums! くたばれ愚連隊
Take Aim at the Police Van: Seijun Suzuki 1960 Japan [50] Targets: Peter Bogdanovich: 1968 United States [51] Taste of Fear: Seth Holt: 1961 United Kingdom [52] Thérèse Desqueyroux: Georges Franju 1962 France [26] They Shoot Horses, Don't They? Sydney Pollack 1969 United States [17] The Thief of Paris: Louis Malle 1967 France [26] The Third ...
Near the end of credits we see Fred in the van seemingly masturbating. But then the police pull up next to the van and we then see Grace's head pop up and she explains that she is giving him a "flowjob" a fake blowjob. We see Stephen Merchant/Gary digging graves and one of the corpses pops up and scares him. Horrible Bosses: Bloopers are shown.