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In 1952, residual payments were extended to these television reruns, thanks in large part to Ronald Reagan, whose first term as president of the Screen Actors Guild (SAG) ran from 1947 to 1952. [3] In 1953, the WGA negotiated residuals for up to five reruns for made-for-TV shows. [4] That said, film actors were still not paid residuals for reruns.
Trans World Entertainment was an American independent production and distribution company which produced low-to-medium budget films mostly targeted for home-video market. In the early 1990s, the company became embroiled in the Credit Lyonnais banking scandal in Hollywood and was foreclosed on by the bank and subsequently folded into Metro-Goldwyn-Mayer (MGM) for sale.
The vinyl revival – Since 2006, sales of vinyl records, a form of residual media, have been rising while the sales of CDs, new media, have been dropping. In 2012, vinyl sales in the United States went up 17.7%, while CD sales dropped 13.5%; in the United Kingdom vinyl sales jumped 15.3%, while CD sales dropped 20%. [3]
The trailer of this 15-episode Western serial is available on the DVD More Treasures from American Film Archives, 1894–1931: 50 Films. [118] The Gold Diggers: Harry Beaumont: Hope Hampton, Wyndham Standing, Louise Fazenda. An incomplete Belgian print was found by a film collector in Mansfield, England in May 2021. The surviving footage ...
The Cannon Group, Inc. was an American group of companies, including Cannon Films, which produced films from 1967 to 1994. [2] The extensive group also owned, amongst others, a large international cinema chain and a video film company that invested heavily in the video market, buying the international video rights to several classic film libraries.
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form ...
The film was presumed lost until 1988, when a copy was found in the New Zealand Film Archive. [4] 1898 Something Good – Negro Kiss: William Selig: Saint Suttle, Gertie Brown: The nitrate film negative of this short was rediscovered at an estate sale in Louisiana by an archivist from the University of Southern California.