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The whole-tone scale is a series of whole tones. It has two non-enharmonically equivalent positions: C D E F ♯ G ♯ A ♯ C and D ♭ E ♭ F G A B D ♭.It is ...
For example, in a typical gene a start codon (5′-ATG-3′) is a DNA sequence within the sense strand. Transcription begins at an upstream site (relative to the sense strand), and as it proceeds through the region it copies the 3′-TAC-5′ from the template strand to produce 5′-AUG-3′ within a messenger RNA (mRNA).
The individual atoms of the polypeptide have been hidden. All of the non-hydrogen atoms in the two ligands are shown near the top of the diagram. Ribbon diagrams are schematic representations of protein structure and are one of the most common methods of protein depiction used today. The ribbon shows the overall path and organization of the ...
The Systems Biology Graphical Notation (SBGN) is a standard graphical representation intended to foster the efficient storage, exchange and reuse of information about signaling pathways, metabolic networks, and gene regulatory networks amongst communities of biochemists, biologists, and theoreticians.
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
A synthetic mode is a mode that cannot be derived from the diatonic scale by starting on a different note. [1] Whereas the seven modes are all derived from the same scale and therefore can coincide with each other (e.g. B Locrian, A Aeolian, and D Dorian all share the same notes with the C Major Scale), synthetic modes work differently.
The H relation (LPL) exchanges a triad for its hexatonic pole (C major and A ♭ minor) [5] Any combination of the L, P, and R transformations will act inversely on major and minor triads: for instance, R-then-P transposes C major down a minor third, to A major via A minor, whilst transposing C minor to E ♭ minor up a minor 3rd via E ♭ major.