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Twelve Concertos, Op. 7. A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been ...
12 concertos (two for oboe and 10 for violin), of which three are considered inauthentic: Nos. 1 and 7 (both in B-flat major) for oboe, and No. 9 (in the same key) for violin 1716–1717 465, 188, 326, 354, 285a, 374, 464, 299, 373, 294a, 208a, 214
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Antonio Lucio Vivaldi [n 2] (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. [4] Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers.
Vivaldi. Antonio Vivaldi wrote a set of concerti, Op. 11, in 1729.. Concerto No. 1 for violin, strings and continuo in D Major, RV 207; Allegro Largo Allegro. Concerto No. 2 for violin, strings and figured bass in E minor, "Il favorito", RV 277
Antonio Vivaldi. The Concerto in C major, RV 559, is a concerto grosso by the Italian composer Antonio Vivaldi, completed in 1740. The concerto's instrumentation is for two oboes, two clarinets, string section and harpsichord. It is one of two of Vivaldi's concerti grossi for this instrumentation, the other being RV 560. [1] The movements are ...
Vivaldi's concertos for 2 violins, for 2 cellos, for 2 mandolins, for 2 trumpets, for 2 flutes, for oboe and bassoon, for cello and bassoon (etc.) Bach: Concerto for Two Violins; Concertos for two harpsichords: BWV 1060, 1061 and 1062; Telemann's Concerto for Two Violas; Classical era:
Vivaldi composed a few concertos specifically for L'estro armonico, while other concertos of the set had been composed at an earlier date. Vivaldi scholar Michael Talbot described the set as "perhaps the most influential collection of instrumental music to appear during the whole of the eighteenth century".
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