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"Beginner's Guide to Mountmellick Embroidery", by Pat Trott. Search Press, UK. ISBN 978-0-85532-919-8 "Mountmellick embroidery", by Jules and Kaethe Kliot. Lacis Publications, 1998. ISBN 0-916896-94-3; Non-traditional interpretations "Mountmellick from My Muse" by Janet M. Davies. JMD Designs. New Zealand. ISBN 0-473-07473-7
Berlin wool work is a style of embroidery similar to today's needlepoint that was particularly popular in Europe and America from 1804 to 1875. [1]: 66 It is typically executed with wool yarn on canvas, [2] worked in a single stitch such as cross stitch or tent stitch, although Beeton's book of Needlework (1870) describes 15 different stitches for use in Berlin work.
Appliqué cross. The edges are covered and stitches are hidden. It is overlaid with decorative gold thread. The term appliqué is derived from French and Latin verbs appliquer and applicare, respectively, which both mean to join or attach. Like embroidery, it has a humble beginning.
Traditionally needlepoint designs completely cover the canvas. [1] Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
Both Whiting and Miller, using their design training, soon developed new designs, and eventually started using threads in other colors, such as greens, madder (red), and fustic (yellow). Ellen Miller was the expert dyer, who tried out different dyes and mordants , kept extensive records of her efforts, and kept swatches in sunlight to check ...
An American sampler: "Margaret Barnholt her sampler done in the twelth [sic] year of her age 1831". English band sampler featuring 'boxers', c. 1650 A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', [1] demonstration or a test of skill in needlework.
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric (such as linen ) in each direction so that the stitches are of uniform size and appearance.
The resulting design frequently resembles a kaleidoscope effect. Kaestner describes the origin of the technique: My first piece of four-way Bargello was started approximately ten years ago [in the early 1960s]. I placed a mirror on a Bargello design in a way that showed me how it would look if I mitered [turned] a corner.
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