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Digital loaders may be independent or work under a digital imaging technician. A data wrangler is another common term for the role of digital loader. [ 3 ] A digital loader supports the camera department by managing, transferring and securing all the digital data acquired on-set via any digital cinematography cameras , interacting with the 2nd AC .
A camera operator in a video production may be known by titles like television camera operator, video camera operator, or videographer, depending on the context and technology involved, usually operating a professional video camera. As of 2016, there were approximately 59,300 television, video, and motion picture camera operators employed in ...
The camera PA, camera intern or camera trainee, assists the crew while learning the trade of the camera assistant, operator or cinematographer. Digital imaging technician On digital photography productions the digital imaging technician, or DIT, is responsible for the coordination of the internal workings of the digital camera.
Camera original material that has not yet been ingested, duplicated, and archived is in a similar precarious state to original camera negative in a film process. One of the jobs of the digital imaging technician is to ensure that digital camera original material is backed up as soon as possible.
Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes.
Clapper loader operating the clapperboard during the filming of A Place in the Caribbean (2017, Honduras). A clapper loader or second assistant camera (2nd AC) is part of a film crew whose main functions are that of loading the raw film stock into camera magazines, operating the clapperboard (slate) at the beginning of each take, marking the actors as necessary, and maintaining all records and ...
1949 – The Contax S camera is introduced, the first 35 mm SLR camera with a pentaprism eye-level viewfinder. 1952 – Bwana Devil, a low-budget polarized 3-D film, premieres in late November and starts a brief 3-D craze that begins in earnest in 1953 and fades away during 1954. 1954 – Leica M Introduced; Photograph scanned into a digital ...
In cinematography, the dolly grip is a dedicated technician trained to operate the camera dolly. This technician places, levels, and moves the dolly track, then pushes and pulls the dolly and usually a camera operator and camera assistant as riders. If the dolly has a moveable vertical axis, such as a hydraulic arm, then the dolly grip also ...
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