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In the key of C, this is F ♯ dim 7. It is also a common chord in jazz and ragtime music. A common traditional jazz or Dixieland progression is IV– ♯ iv o 7 –V 7 (in C major: F–F ♯ o 7 –G 7). Another common usage of ♯ iv o 7 is often found in Gospel music and jazz progressions such as in the song "I Got Rhythm":
The harmonic seventh interval, also known as the septimal minor seventh, [2] [3] or subminor seventh, [4] [5] [6] is one with an exact 7:4 ratio [7] (about 969 cents). [8] This is somewhat narrower than and is, "particularly sweet", [9] "sweeter in quality" than an "ordinary" [10] just minor seventh, which has an intonation ratio of 9:5 [11] (about 1018 cents).
Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
The dramatic clout of the interval was further exploited by operatic composers during the nineteenth century. Robert Donington (1963, p. 175) heard the dark, atmospheric Prelude to Wagner’s opera Siegfried as "a kind of elemental brooding…Its material is an uneasy sequence of thirds low in the bass, and separated by a diminished seventh.": [10]
The U.S. Department of Justice on Thursday said it would drop a case accusing Elon Musk's space technology company SpaceX of refusing to hire certain immigrants. The Justice Department last month ...
The half diminished scale is a seven-note musical scale.It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).
For instance, the number 25 in column k = 3 and row n = 5 is given by 25 = 7 + (3×6), where 7 is the number above and to the left of 25, 6 is the number above 25 and 3 is the column containing the 6.
5-limit Tonnetz. Five-limit tuning, 5-limit tuning, or 5-prime-limit tuning (not to be confused with 5-odd-limit tuning), is any system for tuning a musical instrument that obtains the frequency of each note by multiplying the frequency of a given reference note (the base note) by products of integer powers of 2, 3, or 5 (prime numbers limited to 5 or lower), such as 2 −3 ·3 1 ·5 1 = 15/8.