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The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello.The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
The Concerto in A minor for Oboe and Strings was written by Ralph Vaughan Williams in 1943–44 for the oboist Léon Goossens, to whom the score is dedicated.
The Flute Concerto No. 2 in D major, K. 314 (285d) is an adaptation of the original oboe concerto.Dutch flautist Ferdinand Dejean [Wikidata] (1731–1797) commissioned Mozart for four flute quartets and three flute concerti, of which Mozart only completed three quartets and one new flute concerto.
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.
Oboe B-flat major 1740 "Oboe concerto No. 1" 302a: Oboe B-flat major 1740 "Oboe concerto No. 2" 303 Organ D minor c. 1738 An adagio for two organs. Ending adapted by Handel to lead into another movement. Later published as the first movement of Organ Concerto in D minor, Op 7 No 4 (HWV 309) 304 Organ D minor c. 1746 ?14 February 1746 1797
The third is a repetition short-short-short long followed by different variants of continuations. This motif echoes the rhythm of the Fate motif of Beethoven's Fifth symphony and "clearly refers to Metamorphosen, completed just before the Oboe Concerto – a remarkable example of the thematic links between the last instrumental works". [14]
Tancibudek was given permission from the composer to retain the manuscript of the concerto. Comparing this with the work published after Martinů's death, he noticed a considerable number of discrepancies. In the 1980s, he and James Brody at Indiana University published a list of corrections with some interpretational suggestions. [13]