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Vivaldi's concerto for four violins Op. 3 No. 10 was reworked by Bach as his concerto for four harpsichords BWV 1065. The 5th Brandenburg Concerto , BWV 1050, always was a concerto for flute, violin and harpsichord, also in its earlier version BWV 1050a.
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
While the existing score is in the form of a concerto for harpsichords and strings, Bach scholars believe it to be a transcription of a lost double concerto in D minor; a reconstructed arrangement of this concerto for two violins or violin and oboe is classified as BWV 1060R. [46]
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's Violin Concerto in B-flat Major, RV 381) BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2) BWV 982 – Concerto in B-flat major (arrangement of Prince Johann Ernst of Saxe-Weimar's concerto Op. 1/1)
"Adagio," Concerto for oboe, strings & continuo in D minor, SF. 935 (Marcello) – 3:06 "Le nozze di Figaro" ("The Marriage of Figaro"), opera, K. 492~Ouverture ( Mozart ) – 3:58 "Allegro," Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 (Bach) – 3:50
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...