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Owu tribal marks consist of six incisions on each side of the cheeks and peculiar to the indigenes of Owu, a historical city in Abeokuta, the capital of Ogun State, Nigeria. The Owu tribal mark was inscribed on the cheeks of Chief Olusegun Obasanjo, who was a former President of the Federal Republic of Nigeria. [12] [13]
Wooden maternity figure with elaborate scarification from Ndemba, Lulua Province, Democratic Republic of the Congo. Scarification in Africa is a major aspect of African cultures and cultural practice among African ethnic groups; the practice of scarification in Africa includes the process of making "superficial incisions on the skin using stones, glass, knives, or other tools to create ...
Uli is generally not sacred, apart from those images painted on the walls of shrines and created in conjunction with some community rituals. [3] In addition, uli is not directly symbolic but instead focused on the creation of a visual impact [ 1 ] and decorating the body of the patron or building in question.
Today, she's an established tattoo artist residing in New York City, helping to shatter the stigma surrounding women with tattoos. This woman has covered her entire body in tattoos, shedding ...
Toyin Ojih Odutola (born 1985), Nigerian-born American known for her multimedia drawings and works on paper Temitayo Ogunbiyi (born 1984), contemporary artist and curator Suzanna Ogunjami , painter, printmaker, jewelry designer; first African woman to have a solo exhibit in a commercial gallery in the United States
Scarification has been widely used by many West African tribes to mark milestone stages in both men and women's lives, such as puberty and marriage. In many tribes, members unwilling to participate in scarification were generally not included in the group's activities, and are often shunned from their society. [ 12 ]
Pages in category "Nigerian women artists" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. -
The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]