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Box-drawing characters, also known as line-drawing characters, are a form of semigraphics widely used in text user interfaces to draw various geometric frames and boxes. These characters are characterized by being designed to be connected horizontally and/or vertically with adjacent characters, which requires proper alignment.
In written narrative such as fiction, sections are not usually numbered or named. Section breaks are used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. As a fiction-writing mode, the section break can be considered a transition, similar to a chapter break.
{{{2}}}, positioning of the line and label: Add top for the line to be above label; Add left for the label to be in the left margin, and no break in the text (recommended for continuous text) Leave blank or write bottom for the line to be below the label {{{label}}}, prefixing word, default word is page, or label= to have no prefix. The prefix ...
Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
The GAN uses a "generator" to create new images and a "discriminator" to decide which created images are considered successful. [43] Unlike previous algorithmic art that followed hand-coded rules, generative adversarial networks could learn a specific aesthetic by analyzing a dataset of example images. [12]
Ligne claire (French: [liɲ(ə) klɛːʁ]; Dutch: klare lijn [ˈklaːrə ˈlɛin]; both meaning "clear line") is a style of drawing created and pioneered by Hergé, the Belgian cartoonist and creator of The Adventures of Tintin. It uses clear strong lines sometimes of varied width and no hatching, while contrast is downplayed as well. Cast ...
In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]
A keyline, in graphic design, is a boundary line that separates color and monochromatic areas or differently colored areas of printing on a given page or other printed piece. [1] The line itself, usually consisting of a black (or other dark colored) border, provides an area in which lighter colors can be printed with slight variation in ...