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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Black Woman with Peonies by Frédéric Bazille (1870) located at the National Gallery of Art, Washington, D.C.. Black Woman with Peonies also known as Négresse aux pivoines, Young Woman with Peonies, or Negress with Peonies, is a pair of paintings created by the French Impressionist painter Frédéric Bazille in the spring of 1870.
Portrait of Madeleine, also known as Portrait of a Black Woman (French: Portrait d'une femme noire or Portrait d'une negresse), is an oil-on-canvas painting by the French artist Marie-Guillemine Benoist, created in 1800.
Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, and dated from the 1650s. For its period, the painting is considered unusual in its depiction of a black woman and a white woman sitting side by side. [1]
Woman Bathing (or Woman at Her Toilet, sometimes Bathsheba at Her Toilet) is a lost early 15th century panel painting by the Early Netherlandish artist Jan van Eyck. It is known through two copies which diverge in important aspects; [ 1 ] one in Antwerp and a more successful but smaller c. 1500 panel in Harvard University 's Fogg Museum , which ...
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The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby. Measuring 88.6 by 172.3 centimetres (34.9 in × 67.8 in), it was painted on four joined panels of oak, probably in the first decade of the 17th century.